I finished On the Road recently and did not much like it. There are plenty of people who adore the best known Kerouac, praise it as defining a generation, as one of the great works of travel literature. I found it empty, really.
Part of it was the style of writing: lengthy and wordy, coming from someone who often talked badly about Hemingway. There was a strange overuse of the word mad, and dig, and other words I relate heavily with hipsters on fixed gear bikes in Los Angeles, Austin, or Melbourne.
Part of it was the characters too -- not the fact that they had faults, but that the book seemed to idolize their mediocrity. Dean Moriarty bums around the country, frolicking, chasing, abandoning responsibility and commitment without any explanation other than that he is mad, and somehow we are supposed to make him the hero of our tale like he is of the narrator. He is the kind of guy I would hate in a bar and as I discovered, would hate to read about just as much.
There is something deeper there too, embedded within the story itself. The characters move along an ambiguous road that could be any road in a type of travel I do not really consider travel: going without any money and trying to survive by penny-pinching, stealing, and relying on stranger's hospitality for as long as you possibly can; in a hurry to do everything and arrive everywhere at the same time. You can be physically moving on a road and see nothing, and I get the feeling that through the drunken gaze of real-life Kerouac and real-life Cassidy, New York to Los Angeles and back went something like this.
Whenever your favorite part of a book is its introduction, it is not the story that gets you. This particular introduction explains the Beat Generation, and what drove Kerouac to that three week typing rampage that became a published work. I have romantic notions of this: locking myself in a dark room with beer and scotch and cigarettes at a typewriter and seeing what happens. Something about that thrills me, and I hope if I do the same thing one day I get a result more suited to me.
I love the concept of a good road. I like straight, perfect roads in suburbs and cobblestone roads in Spain and dirt mountain roads in Guatemala and red roads in the Outback. I love discovering slowly where they lead and sometimes pulling off a road I know and taking one I do not. I really love when they are open and without traffic and you can put a car in cruise control and go until you need to fill up with gas and then fill up and go further. Being on the road means so many things and can lead so many places and it is really a shame such a good metaphor can be taken to such low and vacuous places.
Part of it was the style of writing: lengthy and wordy, coming from someone who often talked badly about Hemingway. There was a strange overuse of the word mad, and dig, and other words I relate heavily with hipsters on fixed gear bikes in Los Angeles, Austin, or Melbourne.
Part of it was the characters too -- not the fact that they had faults, but that the book seemed to idolize their mediocrity. Dean Moriarty bums around the country, frolicking, chasing, abandoning responsibility and commitment without any explanation other than that he is mad, and somehow we are supposed to make him the hero of our tale like he is of the narrator. He is the kind of guy I would hate in a bar and as I discovered, would hate to read about just as much.
There is something deeper there too, embedded within the story itself. The characters move along an ambiguous road that could be any road in a type of travel I do not really consider travel: going without any money and trying to survive by penny-pinching, stealing, and relying on stranger's hospitality for as long as you possibly can; in a hurry to do everything and arrive everywhere at the same time. You can be physically moving on a road and see nothing, and I get the feeling that through the drunken gaze of real-life Kerouac and real-life Cassidy, New York to Los Angeles and back went something like this.
Whenever your favorite part of a book is its introduction, it is not the story that gets you. This particular introduction explains the Beat Generation, and what drove Kerouac to that three week typing rampage that became a published work. I have romantic notions of this: locking myself in a dark room with beer and scotch and cigarettes at a typewriter and seeing what happens. Something about that thrills me, and I hope if I do the same thing one day I get a result more suited to me.
I love the concept of a good road. I like straight, perfect roads in suburbs and cobblestone roads in Spain and dirt mountain roads in Guatemala and red roads in the Outback. I love discovering slowly where they lead and sometimes pulling off a road I know and taking one I do not. I really love when they are open and without traffic and you can put a car in cruise control and go until you need to fill up with gas and then fill up and go further. Being on the road means so many things and can lead so many places and it is really a shame such a good metaphor can be taken to such low and vacuous places.