At some point back during university – I think I was 20 or
21 at the time – I wandered down to a tattoo parlor on the drag in Austin and
got two Greek phrases stenciled into my arms. I had been immersed in a Greek mythology
course for the previous few months, and had a copy of Plato’s Republic lying around, which for some
time had hooked me on the Delphic maxims so central to the ancient Greek
mindset: “know thyself” and “nothing in excess.” They came out great, simple crisp
black lettering, and I’ve always been happy they were there even as the space they occupy in my head has morphed with the times.
It’s still a holy place, Apollo’s Sanctuary, at least it was
for me. Always wanting to avoid crowds and loud voices, I climbed up a trail above Delphi and sat on a cliff looking down on the theatre, the treasury, the temple and the gymnasium. Edith Hamilton’s The Greek Way was my expert guide, coupled with a few of the old citizen philosophers well ahead of their time. There is a reason the classics are still around. 2400 years on they can put everything from the Parthenon to Donald Trump in perspective, and certainly make us ponder the ebbs and flows of humanity.
The Temple of Apollo, located on a hillside outside Delphi,
served as an oracle since around the 8th century BC, and for
centuries accepted gifts from all across the Hellenic world. The phrases, which
according to Plato, were carved into the temple walls, are distinctively Greek,
emphasizing a world of moderation, reflection, truth and reason. I've always been fascinated
with these tenets as they apply to an oracle. It’s as if
saying, “before you can receive this guidance, before you can know the answers
to your life, you have a few basic things to work through first.” That’s a
feeling I’ve embraced countless times over the years, and sitting in front of an ancient oracle like however many have before, it felt especially relevant in
the context of this European summer ushering in so much change.
The Greeks were firsts in human civilization, and when I think about it, I see them embodying much of my idea of
true men. The same people who celebrated physical prowess and military victories
also reveled in good poetry and long winding conversation that hoped to establish truth.
They admired beauty, created art. They were, in my mind, in that wonderful state of balance, where Apollo's reason and restraint leveled out Dionysus' fits of mindless release. This while the rest of the world was so dark, clouded in magic and mysticism and fear. For a brief moment in ancient times, this little city was a
bright spark that ignited all that humankind would become. As Hamilton puts it:
“Civilization, a much abused word, stands for a high matter
quite apart from telephones and electric lights. It is a matter of imponderables,
of delight in the things of the mind, of love of beauty, of honor, grace,
courtesy, delicate feeling. Where imponderables are the things of first
importance, there is the height of civilization, and if, at the same time, the
power to act exists unimpaired, human life has reached a level seldom attained
and only seldom surpassed.”
On the way to the airport, my taxi driver – his name was, I'm not kidding, Socrates – talked with me about Greek philosophy, the economic crisis, and a new generation ignorant to its heritage. I carried with me a little trinket of Apollo holding his lyre and a small marbled head of the tragedian Sophocles. I imagine, somewhere, some future time where I'll place them both on my shelf by a stack of books and look up at them while I read. They are reminders of a different time. And as I wander through the world staring out at the many excesses of our day, it is something I can't help feeling wonderful romanticized nostalgia for.














